“My grandmother wove in me a tapestry that was impossible to unwind,” Vigo said. “Since then, I’ve dedicated my life to the sea, just as those who have come before me.”
Like the 23 women before her, Vigo has never made a penny from her work. She is bound by a sacred ‘Sea Oath’ that maintains that byssus should never be bought or sold.
Instead, Vigo explained that the only way to receive byssus is as a gift. […]
“Byssus doesn’t belong to me, but to everyone,” Vigo asserted. “Selling it would be like trying to profit from the sun or the tides.”
More recently, a Japanese businessman approached Vigo with an offer to purchase her most famous piece, ‘The Lion of Women’, for €2.5 million. It took Vigo four years to stitch the glimmering 45x45cm design with her fingernails, and she dedicated it to women everywhere.
“I told him, ‘Absolutely not’,” she declared. “The women of the world are not for sale.”
The government is trying to evict her after shutting down her free museum to showcase her work because she refuses their demands she tell her secret.
She needs to raise €85,000 by November 2018 or the town will evict her. She’s only raised €6,472. The page says that there is no goal bc anything they raise is a success but the article says she needs the €85,000 in order to own her home and not be evicted. Chiara Vigo is an amazingly talented Jewish women who deserves to stay in her town close to the ocean !!
Idk Clarice, maybe we’re just tired, and life is uncertain, and we like the idea of a stable husband with a steady job and a big dog and his own place away from all the loud, shapeshifting-kink party gods.
I love how to my very tired brain this seems like some kind of deep passage about how home is where the heart is and I went “aw”, and scrolled down a good six posts before going “wait fuCKIGN MINUTE.”
Wait a minute, is the plover an actual animal? I always thought this scene was listing plumbers as migratory animals, and I was just like “yeah that checks out, it’s Monty Python after all. Probably a British joke I don’t get.”
Plovers are a migratory shorebird! there are many species of plover, but the Piping Plover is the most famous becuase of it’s ubiquitousness and FUCKING ADORABLE BABIES:
they lay their eggs in the sand, get crazy territorial, and when it’s cold out, they stuff thier babies into thier soft underfluff:
some stuff isn’t just a trope, you know? in the movies, we’re introduced to women who are “experts” who have trained for years, who live and breathe and are willing to die for whatever the male main character has never even experienced before. and then he takes the reigns and upstages her, instantly, with a little bit of friendly bewilderment because, come on, it’s not antifeminist, he’s just good, he’s standing there having shown he’s actually more powerful than she’ll ever be – and we buy it. and then we go home and when we live and breathe something we still ask ourselves. “am i actually good at this? or is some fool going to walk into this presentation eighteen minutes in and offer a sarcastic and biting correction?” we wait for the man to show up and prove that, despite awards and training and an excellent job position, we’re actually just secretly incompetent.
the trope isn’t just setting up for us “this man is good at what he does” – the fact that the trope demands our male hero upstage the woman says: even an incompetent man will always be better than the best woman. he could have upstaged the sage boss or whatever other male in power exists in the movie. but he doesn’t. he upstages the woman to earn his pack order because she is, intrinsically, the weakest link. the real fight will be man against man. it always is.
and i wish, i wish it stopped outside of the theater. but the number of men who try (gently) to assure me that they’re actually better at what i have multiple degrees and years of experience in – it tells me it worked. men are always looking to be the hero, to interrupt, to upstage, to flip the woman on her back and expose her to all your fellow men – see! for someone who has been doing this forever, she’s just another woman. i am reminded by a man this is called mansplaining. i said “it’s a system of silencing women” and he said, “no, it’s just an accident.” in the movie, he sees himself pointing to my equation on the board, having just walked in. “here’s the flaw,” he says. in the real life, i’m too frustrated to speak. in the movie, he’s inevitably right.
elle woods flipping her hair and saying what, like it’s hard? was a funny line. it’s funny because in every other movie, it’s said by a guy.